In 2013, The Rite of Trio entered our reality, stimulating jazz with rock textures and angular movements that showed not only the obvious irreverence of its members’ youth, as well as seeds for an unconventional future. It was therefore no surprise that they saw the stage as an additional space for creation, with narratives and movements transversal to music. In 2021 with the second album, Free Development of Delirium, everything went a little further: a cohesive notion of spectacle, with its compositions proving the trio’s maturity, and an idea of staging that reinforced the peculiar place that The Rite of Trio occupies a borderless jazz panorama.

With the symbolic diploma of ten years of life, The Rite of Trio allow themselves to draw a new and ambitious chapter of exploration of voice, synthesised electronics, and dialogue between acoustic and digital, expanding their sonic universe of experimental jazz and rock, all with a “post-postmodernist, absurd, ironic, and cynical” performative attitude, as it was once announced. It may seem like an exaggeration to say that anything is possible, but if you have followed the trio so far, you will know that this special performance of Amores Infinitos (Infinite Loves) - the first and only concert with a vocal ensemble and the only concert of the trio this year - can overcome our best expectations.

In this unique moment, André B. Silva's guitar, Filipe Louro's bass and Pedro Melo Alves' drums are accompanied by the voices of Beatriz Nunes, Nazaré da Silva, João Neves, Hugo Henriques, Diogo Ferreira and Miguel La Féria, on a stage with a scenic light design and installation by Diogo Mendes.